| Issue | Title | |
| Vol 18, No 1 (2021) | Reel Images of War: Reading Pathé Newsreels on the Liberation of Manila During Wartime Philippines | Abstract PDF |
| John Adrianfer Atienza | ||
| Vol 1, No 1 (2000) | Re-imahinasyon ng Ina sa Panitikan ng Kababaihan: Isang Imbestigasyon sa Ideolohiyang Maternal sa Panitikan | Abstract PDF |
| Rosario Torres-Yu | ||
| Vol 16, No 2 (2019) | Remediation at Seksuwalisasyon ng Halalan sa #RP69FanFic | Abstract PDF |
| Laurence Marvin Castillo, Vladimeir B. Gonzales | ||
| Vol 5, No 1&2 (2008) | (Re)Opening a Cultural Memory: The Bamboo Instruments of the Panay Bukidnon | Abstract PDF |
| Maria Christine M. Muyco | ||
| Vol 11, No 2 (2014) | Reproduction of Cultural and Social Capital in Nineteenth Century Spanish Regimental Bands of the Philippines | Abstract PDF |
| Arwin Q. Tan | ||
| Vol 15, No 2 (2018) | Resilient Music at the Margins Video Series (2017) by José S. Buenconsejo | Details PDF |
| David Francis Urrows | ||
| Vol 2, No 1 (2001) | Retelling the Stories, Rewriting the Bildungsroman: Cecilia Manguerra Brainard's When the Rainbow Goddess Wept | Abstract PDF |
| Frances Jane P. Abao | ||
| Vol 12, No 1 (2015) | Review of a Creative Work Andres Bonifacio: Aswang Hunter (2012) by Team Algo |
Abstract PDF |
| Dominique Angela M. Juntado | ||
| Vol 7, No 2 (2010) | Review of the British New Wave of Science Fiction | Abstract PDF |
| Tom Sykes | ||
| Vol 9, No 1 (2012) | REVISITING IMPERIAL CULTURAL STUDIES AND ETHNIC WRITING: A Subaltern Speaks from the Boondocks | Abstract PDF |
| E. San Juan, Jr. | ||
| Vol 19, No 1 (2022) | Rommel Curaming’s Power and Knowledge in Southeast Asia: State and Scholars in Indonesia and the Philippines | Abstract PDF |
| Ramon Guillermo | ||
| Vol 1, No 1 (2000) | Sa Loob at Labas ng Bayang Sawi: Mga Salamangka Mula sa Itaas, Mga Pagtutuwid Mula sa Laylayan | Abstract PDF |
| Eulalio Guieb III | ||
| Vol 1, No 1 (2000) | Sa Pusod ng Lungsod: Mga Alamat, Mga Kababalaghan Bilang Mitolohiyang Urban | Abstract PDF |
| Eugene Y. Evasco | ||
| Vol 7, No 1 (2010) | SALIDUMMAY’S HYBRIDITY AND CONGREGATIONAL SINGING | Abstract PDF |
| Michiyo Yoneno Reyes | ||
| Vol 14, No 2 (2017) | Seeds in the Garden of Letters: A Review of The End of National Cinema by Patrick F. Campos | Details PDF |
| Joel David | ||
| Vol 13, No 1 (2016) | Shake, Rattle and Roll Horror Franchise and the Specter of Nation-Formation in the Philippines | Abstract PDF |
| Rolando B. Tolentino | ||
| Vol 5, No 1&2 (2008) | Special Feature: Selected Papers from Tawag ng Bantula* | Abstract PDF |
| Ramón Pagayon Santos | ||
| Vol 7, No 1 (2010) | SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA | Abstract PDF |
| Christi-Anne Castro | ||
| Vol 16, No 2 (2019) | Suffering that Counts: The Politics of Sacrifice in Philippine Labor Migration | Abstract PDF |
| Carlos M. Piocos III | ||
| Vol 12, No 1 (2015) | Tanikala at Talinhaga: Ang Manunulat na Bilanggong Politikal (Chain and Metaphor: The Writer-Political Prisoner) | Abstract PDF |
| Rommel B. Rodriguez | ||
| Vol 17, No 1 (2020) | Telescopings and Moro-fications in the Four Arakyo Manuscripts of Peñaranda, Nueva Ecija: A Historical/ Hagiographical Recontextualization towards a More Culturally-Sensitive Komedya | Abstract PDF |
| Michael C. Delos Santos, Feorillo A. Demeterio III | ||
| Vol 19, No 1 (2022) | The 1943 Bengal Famine and the Re-Enactment of Memory: A Study of Ashani Sanket (Distant Thunder, 1973) and Akaler Sandhane (In Search of a Famine, 1980) | Abstract PDF |
| Jigisha Bhattacharya | ||
| Vol 13, No 2 (2016) | The Ube (“Roots”) Generation | Abstract PDF |
| Tabitha Espina Velasco | ||
| Vol 18, No 1 (2021) | The Afterlives of María Clara | Abstract PDF |
| Caroline S. Hau | ||
| Vol 17, No 2 (2020) | The “Comic Be-Subject” in Juan Ekis’s Ensayo, or Reality as Performance Text | Abstract PDF |
| Lawdenmarc Y. Decamora | ||
| Vol 3, No 2 (2006) & Vol 4, No 1 (2007) | The “King” of Philippine Comedy: Some Notes on Dolphy and the Functions of Philippine Cinematic Humor as Discourse | Abstract PDF |
| Maria Rhodora G. Ancheta | ||
| Vol 1, No 1 (2000) | The Catholic Imagination | Abstract PDF |
| Carlos Ojeda Aureus | ||
| Vol 18, No 1 (2021) | The Complexity of Orientation in Traditional Village Architecture in Bali, Indonesia | Abstract PDF |
| I Nyoman Widya Paramadhyaksa, Ngakan Ketut Acwin Dwijendra | ||
| Vol 11, No 2 (2014) | The Devolution of a Sonic Community Ritual | Abstract PDF |
| Robin Daniel Z. Rivera | ||
| Vol 17, No 1 (2020) | The Experiment of the Tropics: Poems by Lawrence Lacambra Ypil | Details PDF |
| Christian Jil R. Benitez | ||
| Vol 10, No 1 (2013) | The Ifugao Alim: Chanted Narrated Dramatic Discourse in Ritual | Abstract PDF |
| Rosario Bona de Santos | ||
| Vol 17, No 2 (2020) | The Ilustrado’s Orphan: Generational Misrecognition and the Filipino Self | Abstract PDF |
| Isaac Donoso | ||
| Vol 8, No 1 (2011) | The Impact of Music in Shaping Southeast Asian Societies | Abstract Untitled |
| Jose S. Buenconsejo | ||
| Vol 16, No 1 (2019) | The Leccio: Ethnicity and Indigeneity in the Ilokano’s Observance of Semana Santa | Abstract PDF |
| Roland Erwin P. Rabang | ||
| Vol. 6, No. 1&2 (2009) | THE MAHJONG OF POWER AND POLITICS: A READING OF CHARLSON ONG’S EMBARRASSMENT OF RICHES | Abstract PDF |
| Luna Sicat Cleto | ||
| Vol 15, No 2 (2018) | The Migrant Worker as Disposable Body: Testimonial Narratives from a Nongovernment Organization | Abstract PDF |
| Noel Christian A. Moratilla | ||
| Vol 15, No 2 (2018) | The Nostalgic Sublime in Don DeLillo’s White Noise and Cosmopolis | Abstract PDF |
| Niloufar Behrooz, Hossein Pirnajmuddin | ||
| Vol 8, No 1 (2011) | The Obstinate Gaze: Derrida Looking at Pictures | Abstract PDF |
| Rajeev S. Patke | ||
| Vol 7, No 2 (2010) | The Old Spanish Days Fiesta in Santa Barbara, California: Cultural Hybridity, Colonial Mythologies and the Romanticization of a Latino Heritage | Abstract PDF |
| Patricia Ann Hardwick | ||
| Vol. 6, No. 1&2 (2009) | The Pinay as Fun, Fearless Female: Philippine Chick Literature in the Age of the Transnation | Abstract PDF |
| Katrina Stuart Santiago | ||
| Vol 16, No 2 (2019) | The Poetics of Encounter in Ma. Cecilia dela Rosa’s Labor Room | Details PDF |
| Lawdenmarc Y. Decamora | ||
| Vol 13, No 2 (2016) | The Possibilities and Problems of Entanglement in Contemporary Manila Theater: Pista as Model, Rizal X as Exemplar | Abstract PDF |
| Sir Anril P. Tiatco | ||
| Vol 1, No 2 (2000) | The Power of Love: Rewriting the Romance in Isabel Allende's The House of the Spirits and Eva Luna | Abstract PDF |
| Frances Jane P. Abao | ||
| Vol 9, No 1 (2012) | The Recontextualization of Burik (Traditional Tattoos) of Kabayan Mummies in Benguet to Contemporary Practices | Abstract PDF |
| Analyn Salvador-Amores | ||
| Vol 5, No 1&2 (2008) | The Role of the Emerging Art Market in the Spread of Impressionism in Europe | Abstract PDF |
| Ferenc Toth | ||
| Vol 7, No 2 (2010) | THE SPIRIT OF NINAY: Pedro Paterno and the First Philippine Novel | Abstract PDF |
| Eugenio Matibag | ||
| Vol 1, No 1 (2000) | The Visual Poetry of Chinese Bamboo: Some Notes on Traditional Chinese Xieyi Painting | Abstract PDF |
| Maningning C. Miclat | ||
| Vol 5, No 1&2 (2008) | The Waray, According to Oyzon | Abstract PDF |
| Michael Carlo C. Villas | ||
| Vol 3, No 2 (2006) & Vol 4, No 1 (2007) | Theater and the Discourse on Power: Jose Rizal’s Participation in Philippine Theater in the Last Decades of the Nineteenth Century | Abstract PDF |
| Apolonio B. Chua | ||
| Vol 11, No 1 (2014) | Theatre, Entrapment, and Globalization in Welcome to IntelStar | Abstract PDF |
| Sir Anril Pineda Tiatco | ||
| Vol. 6, No. 1&2 (2009) | THREE STORIES FROM MANUEL GUERRERO’S PROSA LITERARIA: “THE GOLD TREE”, “ANTAMOK”, AND “SIANING” | Abstract PDF |
| Maria Elinora Peralta Imson | ||
| Vol 1, No 2 (2000) | Tradition, Misconception, and Contribution: Chinese Influences in Philippine Culture | Abstract PDF |
| Maningning C. Miclat | ||
| Vol 5, No 1&2 (2008) | Transplantation of European Styles of Painting in China in the Early Twentieth Century | Abstract PDF |
| Christina Chu | ||
| Vol 9, No 2 (2012) | Tune and Textile: Interrelatedness in the Music and Weaving Arts of the T’boli, Philippines | Abstract PDF |
| Manolete Mora | ||
| Vol 3, No 1 (2002) | Ukkil: Visual Arts of the Sulu Archipelago | Abstract PDF |
| Maria Teresa Martinez-Sicat | ||
| Vol 16, No 1 (2019) | Urban Anxieties in Davao Horror Short Films | Abstract PDF |
| Katrina Ross A. Tan, Laurence Marvin S. Castillo | ||
| Vol 14, No 2 (2017) | Usbong na Pagtatáya: Tangka sa Pagpapalawig sa Katuturan ng Sosyolohiya sa Pilipinas (Usbong na Pagtatáya Assessing the Affordance of Sociology in the Philippines) | Abstract PDF |
| Dennis S. Erasga | ||
| Vol 10, No 2 (2013) | Utopia, Bensalem, Atlantis and the Philippine City: The Challenges of Linking Selected Arcadian Literature to Pinoy Urban Reality | Abstract PDF |
| José Edgardo A. Gomez Jr. | ||
| Vol 7, No 2 (2010) | VAGINAL ECONOMY: Cinema and Globalization in the Post-Marcos Post-Brocka Era | Abstract PDF |
| Rolando B. Tolentino | ||
| Vol 12, No 2 (2015) | Voices and Visions: Symbolic Convergences in the Oral Narratives of Filipino Comfort Women | Abstract PDF |
| Oscar Tantoco Serquiña, Jr. | ||
| Vol 11, No 1 (2014) | Waráy Beauty: Writing at the Margins and the Poems in Oyzon’s An Maupay ha mga Waráy | Abstract PDF |
| Efmer E. Agustin | ||
| Vol 8, No 2 (2011) | When the Asian Girl Speaks: A Comparative Analysis of Two Young Adult Novels in English Written by Asian Women | Abstract PDF |
| Lalaine Yanilla Aquino | ||
| Vol 2, No 2 (2001) | Who Writes Carlos Bulosan? | Abstract PDF |
| Charlie Samuya Veric | ||
| Vol 18, No 2 (2021) | Women Advertisement-Makers’ Standpoint on the Production of Beauty Product Advertisements as Negotiated Co-optation of Feminism | Abstract PDF |
| Julienne Thesa Y. Baldo-Cubelo | ||
| Vol 18, No 2 (2021) | Writing and Rewriting the Self: Narrative Projection and Transformation in Martial Law Autobiographies | Abstract PDF |
| Mary Grace R. Concepcion | ||
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